The Fluency Engine · technique II
New runs to play over the backing tracks. Same rules: metronome on, slow first, descend as much as you ascend.
Two-octave scale engine, 7th position. Natural minor (the G is natural) — the darker companion to the Dorian shape.
e|-----------------------------------------------9--10-12-| B|--------------------------------------8--10-12----------| G|-----------------------------7--9--11-------------------| D|--------------------7--9--11----------------------------| A|-----------7--9--10-------------------------------------| E|--7--9--10----------------------------------------------|
Pick it strict alternate first, then legato (pick once per string, hammer the rest). Descend with pull-offs.
Speed without the pick. Pick only the first note of each pair; pull off to the second. Rolling descent.
e|--10-7--------10-7--------------------| B|--------10-7--------10-7--------------| G|--------------------------9--7--------| D|--------------------------------9--7--| A|--------------------------------------| E|--------------------------------------|
Pure left-hand workout. Keep the pull-offs even in volume. Once the top two strings flow, carry the pattern down through all six.
The fusion mode, 10th position. Wider stretches than the Bm shape — that B natural and C natural are the Dorian colour.
e|-----------------------------------------------12-13-15-| B|--------------------------------------12-13-15----------| G|-----------------------------10-12-14-------------------| D|--------------------10-12-14----------------------------| A|-----------10-12-14-------------------------------------| E|--10-12-13----------------------------------------------|
Watch the 10-to-14 stretches on the lower strings — shift slightly rather than straining. Great over the Dm7–G7 vamp.
The comfortable speed run. D minor pentatonic box (10th fret), sequenced four-at-a-time. Sounds great over D Dorian.
e|--------------------------------------------------| B|--------------------------------------------------| G|-----------------------------------------------10-| D|-----------------------10-------10-12----10-12----| A|--------10-12----10-12----10-12-------12----------| E|--10-13-------13----------------------------------|
Lock to 16ths or sextuplets. The five-note pentatonic over the seven-note mode is where the singing, vocal lines live.
The musical one. Harmonised thirds across the top strings — trains string-pair sync and phrases like real lines.
e|-----------------------12----13----15-| B|-----12----13----15-12----13----15----| G|--10----12----14----------------------| D|--------------------------------------| A|--------------------------------------| E|--------------------------------------|
Hybrid pick it (pick + middle finger) for snap. Reverse it descending.